Light on Water
Captured on large format film,
this work explores how light bends, settles, and disappears
across a moving surface.
The photograph is less a document of place
and more a trace of time.
On Duration
This work documents quiet coastal scenes captured on large format film.
Rather than seeking dramatic moments, the project focuses on ordinary rhythms
water meeting stone, anchored boats, and surfaces shaped by time and use.
The large format process slows the act of seeing, allowing each frame to become
a deliberate record of place, texture, and light as they exist without intervention.
On the Rhythm of the City
This project documents everyday street scenes in Chiang Mai, captured on large format film.
In contrast to the city’s constant movement traffic, pedestrians, layered signage the large format process imposes stillness and restraint.
Rather than isolating decisive moments, the work observes the accumulation of motion, density, and visual noise.
Each frame becomes a slow record of a fast environment, where architecture, infrastructure, and human presence coexist in continuous flow.
The photographs are not about spectacle, but about rhythm
how a city reveals itself when time is allowed to settle.
Casting Between Stillness
Fly fishing is not an activity meant to be consumed quickly, but a practice of matching one’s pace to the rhythm of nature.
Through tools left along the river and the surrounding landscape, this project captures the focus, patience, and open space of time that fly fishing creates.
The tactile quality of large format film allows the images to linger
holding the sound of water, the movement of air, and subtle shifts in the scene quietly conveying the feeling of having been there.
Jeongseon
This project is a quiet documentation of nature, focused on the slow passage of time rather than events or spectacle.
Seasonal shifts, water-shaped rock, and eroded landscapes
unfold without human intervention, forming a narrative of their own.
Photographed on large format film, the work reflects a moment of stillness
preserving the feeling of simply witnessing what was there.
flow of the river
This work documents fly fishing not as a sport,
but as a way of moving in rhythm with nature.
The flow of the river, the cadence of casting, and moments of pause reveal a practice shaped by
focus and patience rather than speed.
Rather than emphasizing action or outcome,
the images linger on quiet presence
preserving the stillness between movement and water.
Merrell X Mountain rover — Shoes Lookbook
A lookbook shoot for Merrell footwear, photographed in natural terrain.
The project focuses on texture, durability, and how the shoes interact with the landscape grounded, worn, and shaped by real movement.
Between Land and Sea
This work is a medium format documentation of coastal landscapes, observing the quiet boundary between land and sea.
Cliffs, sand, water, and sky overlap without spectacle,
revealing forms shaped by time rather than events.
The depth and color of medium format film preserve
not an explanation of place, but the distance and calm of standing before it.
The work does not seek to define the landscape,
only to remain beside it, briefly.
Mountain Rover — Field Lookbook
A lookbook shoot for Mountain Rover backpacks, photographed in natural terrain.
The project focuses on movement, texture, and how the gear exists within the landscape not staged, but experienced along the way.
In Construction
A documentation of architectural project during its construction phase.
Rather than focusing on the finished structure, this work records the process materials, scale, and the quiet transformation of a site over time.
Everyday Squamish
This work documents everyday scenes in Squamish, Canada, observed through the quiet rhythm of daily life rather than events.
Moored boats, empty docks, and light moving across the water reveal a place shaped by the coexistence of nature and living.
Photographed on medium format film, the images do not frame Squamish as a destination, but as a place lived in seen through moments of pause and familiarity.
On the Road
A promotional shoot featuring a COVE branded vehicle in everyday surroundings.
Rather than staging a scene, the project places the car within its natural contex
quiet streets, worn surfaces, and moments where branding meets daily life.
A City Shaped by Land
This image documents the relationship between the city and its surrounding landscape, observed from a quiet distance.
Urban density rises against the mountain ridge, revealing a city shaped in direct dialogue with its natural terrain.
Without staging or emphasis on spectacle, the photograph records a moment of still observation
capturing the scale, structure, and balance of the city as it exists.
Structures of the Race
This work begins with a personal admiration for the Tour de France, shifting focus from the race itself to the spaces that make it possible.
Grandstands, floodlights, and tracks remain long after motion and crowds disappear, holding the structure and tension of sport in silence.
Photographed on medium format film, the images reveal a sense of waiting where speed is absent, yet still implied.
Rather than documenting the race, this project observes the quiet state before it begins, and after it has passed.
Brand in the Field
This project documents Salomon’s brand presence
during a backpacking event, observed through real moments on site.
Rather than staging promotional scenes, the work focuses on how the brand naturally inhabits the space
within gathering, rest, and shared experience in nature.
Installations set on open ground, conversations around tables, and moments of pause reflect an outdoor lifestyle shaped through participation, not display.
The project records branding not as a statement, but as a presence existing quietly alongside people and place.
When Spring Arrives
This work documents the arrival of spring in Canada,
observed through simple moments in nature.
Blossoms set against a deep blue sky and branches moving lightly in the air mark the shift in season after winter.
Rather than symbolizing spring, the photograph records its presence a quiet moment when the season simply arrives.
Beyond the Field
This photograph documents not the game itself, but the everyday atmosphere surrounding a place built for play.
Set against the mountains, the field, light poles, and long shadows across the grass reveal how sport naturally exists within daily community life.
Rather than focusing on action or competition, the image observes the quiet energy of gathering
moments before play begins, and after it fades.
A Mountain Town
This photograph is part of a black-and-white documentation of everyday life in Squamish.
Snow lined roads, parked vehicles, and gear left along the street reflect a town shaped by both outdoor culture and daily routine.
By removing color, the image emphasizes structure, atmosphere, and the quiet rhythm of life beneath the mountains.
Into the Backcountry
This work documents Whistler as experienced through backcountry travel.
Moving beyond groomed terrain, the landscape reveals its structure through snow, slope, and distance
shaped by time and weather rather than design.
Rather than focusing on descent or action, the photographs emphasize the process of moving through the mountains, recording Whistler not as a destination,
but as a landscape passed through on foot and skin track.
Stawamus Chief
This photograph documents the Stawamus Chief in black and white, focusing on form, structure, and scale.
By removing color, the image emphasizes the granite face, its fractures, and the boundary between rock and forest revealing the mountain as a physical presence shaped by time.
Rather than dramatizing the landscape, the photograph observes how the Chief simply exists.
Land and Time
This photograph is part of a black-and-white documentation of Squamish.
The river, railway, and layered mountain silhouettes
reveal a landscape where natural and human structures
exist as a single terrain.
By removing color, the image emphasizes distance, atmosphere, and the slow passage of time within the scene.
Rather than defining a specific moment, the work observes Squamish as a state of presence quiet, layered, and ongoing.
In Transit
This work documents Squamish not as a destination,
but as a place passed through.
Forest roads and light filtering through trees create a rhythm that exists only in motion experienced while moving, not stopping.
Rather than defining the place, the photographs record moments encountered in transit, preserving the quiet awareness of passing through.
Moored
This photograph documents everyday life along the waterfront in Squamish.
Moored boats rest on still water, with mountains rising quietly in the background revealing a town shaped by both nature and daily routine.
Rendered in black and white, the image emphasizes stillness over motion, capturing a moment where life slows and settles by the water.
After the Snow
This work documents Whistler during the summer season, after the snow has receded.
Exposed rock, dirt paths, operating lifts, and mountain structures reveal the terrain beneath the winter surface
showing the mountain as it exists beyond sport.
Rather than presenting Whistler as a destination or spectacle, the photographs observe it as a seasonal landscape, shifting quietly with time and weather.
Banff
This work documents winter landscapes encountered through backcountry travel in Banff, captured on film.
Beyond marked terrain, the mountains reveal their form through snow, ridgelines, and distance shaped by weather and time rather than design.
Rather than emphasizing action or destination,
the photographs focus on the process of moving through the landscape, recording moments of quiet presence deep within the mountains.
Vancouver
This photograph documents Vancouver as a city shaped and contained by its natural surroundings.
The skyline rising from the water, framed by mountains beyond, reveals an urban landscape that exists within rather than apart from nature.
Rather than emphasizing density or scale, the image observes how the city settles into its environment,
recording Vancouver as part of a larger landscape.
Lions Mountain
This work documents Lions Mountain as part of everyday life rather than a distant landmark.
Framed through roads, parked cars, and quiet human presence, the mountain appears not as a destination, but as a constant backdrop shaping how the city exists beneath it.
Shot on film, the image focuses on scale and coexistence, observing how nature and daily movement occupy the same space without interruption.
Basalt Columns
This work documents the columnar basalt formations found along the Korean coastline.
Rather than approaching the landscape as a scenic subject, the photographs focus on structure, repetition, and the slow geological processes that shaped the surface over time.
Captured on film, the images emphasize texture, erosion, and the quiet order embedded in the rock
revealing a landscape formed not by moments, but by duration.
Layers of a Season
This work is created through intentional double exposure, layering a single landscape onto itself rather than combining separate scenes.
By overlapping the same field at different moments,
the image moves away from clear documentation and toward a sense of memory where time does not progress forward, but folds back onto itself.
The repetition of flowers and sky creates a quiet visual density, suggesting how places are remembered not as a single view, but as multiple moments existing at once.
Rather than presenting a definitive landscape, this photograph holds a lingering impression soft, fragmented, and intentionally unresolved.
Still Landscapes
This work documents a quiet coastal landscape where land, water, and light meet.
Rather than defining a specific place, the photograph focuses on subtle transitions
the stillness of the shore, the softness of the horizon, and moments where nature feels suspended in time.
Captured as an observation rather than a statement, the image exists as a record of presence.